Friday, February 22, 2008

Lover Man

Fiery passion, romance, primal force, animal grace -- and even occult power come together in this one man. Behold, Valentino!

Good Soldier

2008, and a global war is raging. Some live on the virtual side of the war, like those of us on the West Coast. Some are not as fortunate. Like in past times of dramatic global upheaval, arts, culture, and sciences have been there to provide a welcome distraction to troubled times, healthful perspectives -- and when on point, canny insight into our complex nature and the condition of person-hood.

I am so proud to be part of arts culture. I consider it not only a delight, but an abolute responsibility to show creative civic leadership -- in whatever ways that I can.

Today and everyday, I applaud those working in all creative fields. Those who work tirelessly, whether in private or in the public eye, to put our species on a positive track, expanding our awareness of ourselves -- and of other worlds. The creative fields of arts and sciences are armed with the best minds and hearts, poising our lives for new worlds of exploration, extending hope and new forms of humanity.

I often tell people "It may look like I'm in the business of art ..but really I am in the business of Hope." Everyday is an opportunity to transform our lives into something better -- and inspire others to do the same. Onward and upward!

Whispers

Moving steadily on the project details for Silver Sun, as Emma works on some design solutions. Soon, we'll have a full project summary in place, a call for *new* silent film submissions for program inclusion, a budget proposal, and some design renderings from Emma.
My research continues forth, and much of it involves simply immersing myself in the subject matter -- visually, emotionally, intellectually, spiritually. Sometimes, I end up connecting some dots to my personal past. Such as the time I saw a re-release of "Wings" as a kid at a theater in Torrence, California, w. live organ music. Or seeing "M" for the first time as a teen starring the magnetic yet lurid Peter Lorre, or "Metropolis" (also by Fritz Lang), w. its inspired retro-futuristic sets.

I have not seen many silent films. So, like many of my projects, Silver Sun is an opportunity for me to grow and learn... as I hope it will be for everybody involved.

Tuesday, February 19, 2008

Hue and Eye


Hand-tinting to highlight a scene or object, bringing color to specific elements, while leaving other parts of the scene in glorious black and white. We are transported to a film world with its own logic, rules, and outer nature.

Seen here, The Great Train Robbery (Griffith, 1903) gets a fanciful makeover -- each cell tinted by hand!

Color Wheel


Little did I know that the majority of silent films were tinted or toned with vibrant colors. Hand-tinting processes were employed, or bathing black and white positive film in dyes for toning. Colors were chosen to fit a mood or location, such as blue for a seaside scene or red for action sequences, shown here.

The marvelous colors offer a magical, often dreamlike lyricism, inviting audiences to bask in an otherworldy glow -- or contemplate their own personal psychotropic terrain. I wonder what colors Silver Sun will produce?

Friday, February 15, 2008

Dec-oh!-dence



Oo la la. The Silent Screen is otherworldy, dreamlike, and thrillingly decadent, with set and costume design so central to cinema's development as an art form.

Seen here, Salome, 1922, directed by Alla Nazimova, w. costumes/sets evocative of Aubrey Beardsley.

Friday, February 8, 2008

Closer

My guiding light and terrifically entertaining research material for this project is Seductive Cinema: The Art of Silent Film by James Card. Vastly informative and written with heart, I recommend this book to those who have even a passing interest in Film and Cinema marginalia. His insights are informative and at times -- daring!


"I will even go so far as to suggest that there has never been a great film without close-ups. In fact, a great film was never made until close-ups came into general use. ...In the close-up the motion picture is in its own world." -James Card, Seductive Cinema

Seen here, Gloria Swanson exuding her emotive charm.

Strong words from the heart. And who can blame him? The close-up is quite magical and profound, bringing an intimacy to that special relationship between our heroes and ourselves.